Selected Bibliography
FICTION
Fiction manuscript prize awarded by Technikart magazine at the Salon du Livre, (March 2011). A Darker Shade of Light, collected short stories.
Poésies in Imaginaries II, Repérages, Presses de l'Université de Nantes, 1996.
Poésies in Imaginaries II, Repérages, Presses de l'Université de Nantes, 1997.
“Wanted” in Short Story, University of Texas at Brownsville, 2006.
“The Predator” in Short Story, University of Texas at Brownsville, 2009.
“Nothing to Lose,” in Short Story, University of Texas at Brownsville, 2012.
“Around the Curve” Bridges: a Global Anthology of Short Stories, ed. Maurice A.
Lee.Charleston: Temenos Publishing, 2012.
“A Darker Shade of Light ” in Resonances-Femmes, Presses de l'Université Paris 8, 2012.
“Around the Curve” in Bridges : a Global Anthology of Short Stories, ed. Maurice A. Lee.
Temenos Publishing, 2012.
“The Intruder” in Upbraiding the Short Story: a Global Anthology, ed. Maurice A. Lee.
Charleston: CreateSpace, 2014.
“Going off the Deep End,” Short Story, University of Texas at Brownsville, 2014.
“The Grim Reaper” in Global Anthology on the Short Story, ed. Maurice A. Lee. East China
Normal University Press, 2016.
“Pussy Kate; Schmoozy” in Global Anthology on the Short Story, ed. Hengshan Jin, (Chinese/English), East China Normal University Press, 2016.
“Trick or Treat” in Journal of the Short Story in English, Presses universitaires de Rennes,
2016.
« My Double Life » in Anthology of Fiction from around the Globe : The Radiance of the Short Story », ed. Maurice A. Lee and Aaron Penn, University of Lisbon Centre for English Studies, 2018.
LITERARY CRITICISM
Books
Le Théâtre Romantique en Crise (1830-1848) William Shakespeare et Gérard de Nerval,
Harmattan Critiques Littéraires, 2005. L’ouvrage a été retenu pour concourir pour le prix de la SAES.
Books, collaborative
The Oxford Companion to Shakespeare, contributor: “Shakespeare and Nerval,” eds. Michael Dobson and Stanley Wells, Oxford University Press, 2002.
La Nouvelle anglo-saxonne, initiation à une lecture psychanalytique, en collaboration avec
Claude Maisonnat et Patrick Badonnel, collection Hachette Supérieur, 1998.
ARTICLES
“Gérard de Nerval, porte-parole de la réforme dramatique shakespearienne,” in Cahiers Gérard de Nerval, Mulhouse, 1994.
“The Rhetoric of Rupture in John Hawkes’ Second Skin,” l’université de Clermont-Ferrand, 1995.
“Shakespeare as the French would have him: Voltaire and Nerval ” in The Shakespeare Yearbook, Shakespeare and France.” Edwin Mellen Press, New York, 1995.
“Figures of Persuasion in Twelfth Night, Shakespeare “Presses Universitaires de Nancy, l’université de Nancy, 1996.
“Mourning and Melancholy in Carson McCuller’s The Sojourner,” “Psychanalyse et Ecriture,” l’université de Nice, 1997.
“Signifiying the Sutured Self ; an Anatomy of Mock-Epic Rituals in Jere Hoar’s Body Parts -A Memory of 1944 ” Journal of the Short Story in English, Les Cahiers de la Nouvelle, Presses de l’université d’Angers, 1998.
“Contemporary Prose Tragedy and Shakespearean Tragedy : All the King’s Men; Hamlet, Macbeth, and Julius Caesar,” l’université de Chambéry,1999.
“L’objet de l’histoire enchâssée dans Hamlet et All the King’s Men,” Paris VII, 1999.
“Proportion and Disproportion in Richard III,” Lyon II, Publications universitaires du CERE, Montpellier, 2000.
“La mise à mort de la victime dans Hamlet dans All the King’s Men,” in RANAM Discours de la victim, l’université de Presse Strasbourg, 2000.
“Translating Metaphors and Symbols: Shakespeare as a Medium of Cultural Exchange,” l’ESSE, Helsinki, 2000.
“Le sens de la démesure dans Antony and Cleopatra,” Lectures de Shakespeare Antony and Cleopatra, Presses Universitaires de Rennes, 2000.
“From Roman Propaganda to Mannerism; the Facts of Fantasy in Antony and Cleopatra, Seventh World Shakespeare Congress; Shakespeare and the Graeco-Roman World, Leaders, Valencia, 2001.
“Perversion in Othello du père au pervers,” opera libretto, Verdi, Otello, l’Opéra de Nantes, Théâtre Graslin, 2001.
“Deviation and In-betweeness in ‘The Sea Change’, d’Ernest Hemingway,” Journal of the Short Story in English, Presses de l’Université d’Angers, 2007.
“Fusion and Exclusion in Macbeth, FAAAM, L’écriture du corps dans la littérature féminine de langue anglaise,” Actes des Colloques, Textes et Genres III, l’université Paris X Nanterre, 2007.
“Mediating between Competing Systems of Representation in Macbeth,” Actes du colloque international du Centre de Recherche sur les Conflits d’Interprétation, (CERCI), l’université de Nantes, 2008.
“Body and Yearning in Severance,” Robert Olen Butler, Short Story, ed. Farhat Iftekharuddin, University of Texas at Brownsville, 2009.
“Writing toward the White Hot Center in Robert Olen Butler’s Severance,” American Literature Association Symposium, Savannah, 2009.
“The Wisdom of Eve, adapté au grand écran par Mankiewicz, ” Nouvelle et Cinéma (FMSH, CRILA, SERC) la Sorbonne Nouvelle, 2010.
“Cultural Interactions between France and the U.S.,” Florida State University, Contemporary French and Francophone Studies, “ The Adaptation of Tennessee Williams’ The Glass Menagerie by Jacques Nichet ,” 2011.
“Orality and the Lost Object of Desire in 'A Perfect Day for a Banana Fish' by D.J. Salinger,” Anglophilia, Merryworld : Leurres de l’Identité, Lueurs du Désir, Lyon, 2011.
“Dramatic Immediacy in Robert Olen Butler’s ‘Anne Boleyn’, Severance” in Short Story, University of Texas at Brownsville, 2011.
“Expressionism, Depression and Repression in The Glass Menagerie,” “Ecritures et Psychanalyse”, Paris III/V, 2011
“Tennessee Williams’s Glass Menagerie and Jacques Nichet’s Ménagerie de Verre,” Nouvelle et Cinéma/Short Story on Screen (SUDS) et (CRILA) 2011.
“The Making of Tennessee Williams’ The Glass Menagerie,” Tennessee Williams in Europe, A Centenary Celebration, l’université de Nancy, 2011.
“The Secret of Writing Short Fiction,” Résonances, Saint Denis: Université Paris 8, 2012.
“A Long Way for a Short Story: The Filmic Narrative Mode of The Glass Menagerie,” Journal of the Short Story in English, The Short Story and Cinema, Presses de l’université d’Angers, 2012.
“Introduction to Robert Olen Butler, Journal of the Short Story in English,” The Short Story and Cinema, “Presses de l’université d’Angers, 2012.
“Imaginative Distortion in Robert Olen Butler’s ‘Walter Raleigh’ (Severance): The Fantasy of Triangular Love,” Short Story, University of Texas at Brownsville, 2012.
“The Power of Illusion and the Illusion of Power in Mary Orr's 'The Wisdom of Eve' and Joseph Mankiewicz's All About Eve,” Nouvelle et Cinéma/Short Story on Screen, Journal of the Short Story in English, Presses de l’université d’Angers, 2013.
“Sacred Profanity and the Trickster figure in ‘Good Country People,” Journées d’Etudes (Flannery O’Connor, New Readings, New Perspectives), l’université de Nice, Sofia-Antipolis, 2014.
“Conformism and Deviance in Flannery O’Connor’s ‘Good Country People’ Ecritures et Psychanalyse,” l’université de Caen, 2014.
“Some Critical Truths about Metaphor and Metonymy,” on “Short Fiction Writers with a Theory: Re-Reading Short, Université Catholique de Lille, 2014.
“Au lit en compagnie avec du divin Marquis” d’Anthony Burgess in La France et moi traduction: Alice Clark et Marc Jeannin. Presses de l’université d’Angers, 2014.
“The Liminal Zone in Flannery O’Connor’s ‘Good Country People,’ in Anglophilia, Merry World, 2015.
“Seeking a Balance between Tragedy and Comedy, ” an Interview with the author : Lisa Alther in Journal of the Short Story in English, Representation and Rewriting Myths in Southern Short Fiction, 2016.